![]() It is this form that is often considered as the direct forerunner of the orchestral symphony. The opera sinfonia, or Italian overture had, by the 18th century, a standard structure of three contrasting movements: fast slow fast and dance-like. In the 17th century, for most of the Baroque period, the terms symphony and sinfonia were used for a range of different compositions, including instrumental pieces used in operas, sonatas and concertos - usually part of a larger work. The word "symphony" is from the Greek word, Συμφωνία, meaning "sounding together". Many symphonies are tonal works in four movements with the first in the sonata form, and this is often described by music theorists as the structure of a "classical" symphony. AllegroĪ symphony is a musical composition usually for orchestras. A famous example of the more extended type is the coda to the first movement of Beethoven's Eroica Symphony (no. Coda - Codas may be quite brief tailpieces, or they may be very long and elaborate. Recapitulation - The Recapitulation is an altered repeat of the exposition. Exposition - The exposition is primarily thematic material for the movement Development -The development generally starts in the same key as the exposition ended, and may move through many different keys during its course. ![]() Introduction -The introduction increases the weight of the movement, and also permits the composer to begin the exposition with a theme that would be too light to start on its own, as in Haydn's Symphony No. Often sonata form refers just to the structure of an individual movement. In the "Classical" period, the title "sonata" is typically given to a work composed of three or four movements. It is considered the most important principle of musical form. ![]() Sonata form is used in most first movements of sonatas and symphonies. Sonata form is characterized by tonal movement and consists of an exposition, development and recapitulation section. ![]() The type of composition - a symphony or a concerto the structure of a piece - binary form, sonata form, fugue, etc. The term musical form refers to two concepts: ![]()
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